April 09, 2014
The Mind Museum - Taguig, Philippines
Per our recent blog post, last week marked the 2014 TEA Summit and Thea Awards Gala, held at the Disneyland Resort. This weekend of events is produced by the Themed Entertainment Association (TEA), an international, non-profit business association representing the creators, developers, designers and producers of compelling experiences worldwide. Considered the Oscars of the themed entertainment industry, the Thea Awards Gala is celebrating its 20th year, and this year, the TEA honored The Mind Museum with the Award for Outstanding Achievement – Science Museum. Comprised of 4,900 square meters of “minds on” and “hands on” exhibits, The Mind Museum, located in Taguig’s Bonifacio Global City development, was masterplanned by JRA and is the first world-class science museum in the Philippines. The 2014 Thea Award marks the fifth time a JRA-designed project has received this distinguished honor and the first time an Asian science museum has been recognized.
The day before the bright lights, sharp tuxedos and sequined gowns of the Gala, each of the Thea Award recipients discussed the trials and triumphs of their projects in a case-study format. Representing The Mind Museum was its curator, Maribel Garcia, who stressed the importance of the project to a country rife with gifted scientists but somewhat lagging in general science education. Garcia explained that as they built the museum, she and her team of scientists also taught the exhibit teams the science that had to go into each and every exhibit. “When it came to building a science museum, the scale of which in terms of space and content, is first in our country, and that we were among the very last to do it in the world,” Garcia said, “we had a giant inferiority complex.” While JRA provided master planning, concept and schematic design for the project, 90% of the exhibits were designed and fabricated by Filipino designers, scientists and fabricators.
Throughout the fundraising, design and build process, Garcia learned (and offered) some valuable lessons:
Guided by these principles, Garcia and her team were able to create a “permanent place of wonder” for the Philippines and its people.
Photo courtesy InPark Magazine
In her acceptance speech Saturday night, Maribel touched on the hardships that have befallen the Philippines of late, but she held up The Mind Museum not just as a beautiful building and educational center, but as a beacon of hope for Filipinos:
The Philippines always breaks the record in many tragedies. We rank number three in the World Risk Index under Climate Change. Last year, we also landed the most destructive typhoon ever recorded in history. But tonight we break a happy one - we are the first science institution in the Philippines to receive a Thea and if am right, the first science museum in Asia to get one. So we would like to thank TEA for this honor.
We would like to thank our Board for trusting and actively supporting this dream. We would like to thank scientists in the Philippines and abroad for guiding our exhibits. I made cold calls and emails to "rock star" scientists everywhere, and they all answered my call. We would like to thank our artists for supporting our chosen approach. This project was created because the arts rescued the sciences.
Lastly we would like to thank our people, the Filipinos, who have come to the museum since we opened and have told us with their numbers and their reactions that "it's about time."
March 31, 2014
Our JRA home team was all decked out to celebrate our baseball home team - the Cincinnati Reds! Founded in 1869, the Reds are the world's oldest professional baseball team, and today is (finally) Opening Day 2014! This local holiday, officially established in 1970 by then-manager George Lee "Sparky" Anderson, is celebrated with packed sports bars, tailgates, raucous crowds below our office window, one of the grandest parades in baseball, and of course, an afternoon game. Fun fact: the Cincinnati Reds have had a home opener every year (save one) since 1876 and are scheduled to have home openers in perpetuity. They are the only team to be granted this privilege by Major League Baseball.
Grand Marshall of this year's parade is Dave Concepion, widely considered one of the best shortstops in history and a five-time Golden Glove winner during his time in Cincinnati. Concepcion and another legendary Reds shortstop, Barry Larkin, will throw out the first pitches in this afternoon's Opening Day Game against our rivals, the St. Louis Cardinals.
You can find out more about Anderson, Concepcion and Larkin at the Cincinnati Reds Hall of Fame and Museum, designed and produced by JRA. While you're at the ballpark, be sure to also check out the JRA-designed Reds Shop and Fan Zone.
Thanks for reading, and GO REDLEGS!
March 26, 2014
Hi, it's Clara, Blogger-in-Chief, here.
Last week, I had the extreme pleasure of taking part in Gib Gab, a speed networking mixer in Orlando co-produced by the NextGen Committee and the Eastern North America Division Board of the Themed Entertainment Association (TEA). At the mixer, which was hosted and sponsored by VOA with additional sponsors Nickelodeon and Themeworks, 34 TEA NextGen members interested in themed entertainment internships participated in a series of 3-minute, rapid-fire interviews with representatives from 15 TEA member companies that are currently hiring interns. When students weren't speed networking, they were engaging in roundtable discussions on professional development topics with Kirstin Cobb and Bob Brandenburg of Nickelodeon Live Show, Alex Grayman of Walt Disney Imagineering and Todd McCurdy of Morris. I got to listen in on the discussions and observe the roundtables, and it was a blast watching the NextGens give their "elevator pitches" and learn about the variety of industry opportunities available to them. With this great crop of new recruits in museum design, theme park design and attraction design on deck, the future of themed entertainment looks rock solid.
Included among the student participants were former JRA co-ops, Jacob Berding and Martha Gutierrez Navarro, as well as Josh Schwartz, a student at Savannah College of Art and Design (SCAD) who will be joining us as a co-op this summer.
You can read all about the event, as well as the other initiatives that the NextGen Committee is cooking up to connect students and recent grads with professional opportunities, here on the TEA blog. In the meantime, enjoy these pics!
From left: Todd McCurdy, Alex Grayman, yours truly, Chelsea Whikehart
The Assembled Masses
Jacob (left) engrossed in a roundtable discussion
Three minutes to tell your professional life story. And...GO!
Next week, we're root, root, rooting for the home team, celebrating Opening Day with the Cincinnati Reds!
March 19, 2014
After this year’s never-ending polar vortex, any sign of spring is a welcome one here at JRA. But beyond the chirp of birds and bud of flowers is the springtime beacon we're most excited about, the annual TEA Summit and Thea Awards Gala, which take place at the Disneyland Resort in Anaheim, California April 3 through 5.
The festivities begin with a full-day Executive Master Class. Targeted at industry C-suites and directors, the theme of the 2014 Summit Day One is “Sourcing Solutions”. Kicking off the program are Jill Bensley of JB Research and NormaLynn Cutler of CutlerEnterprises, who will introduce the audience to the “$1.1 trillion market they need to know about.” Attendees will then have the opportunity to participate in a peer group discussion of the unique challenges facing the industry with business consultant, Linda Feinholz, which will be shaped by the questions and concerns attendees submitted before the Summit. After recruiting specialist Camille Jenkins shares her perspectives on effective hiring practices, the dialogue shifts to global market and business trends, with informative presentations from TEA member compa AECOM, as well as Cynthia Torres of the US Department of Commerce, Marianne Hughes of the Export-Import Bank of the United States and Cesar Arellanes of the Center for International Trade Development.
Summit Day Two welcomes a broader audience and introduces this year’s distinguished roster of Thea Award recipients:
A representative from each of the Thea recipients will present their attraction or museum in case study fashion, highlighting the processes, discoveries and challenges they encountered along the way.
JRA CEO/Owner Keith James and his wife Patti at last year's Thea Awards Gala.
Saturday April 5th brings the 20th Annual Thea Awards Gala, the industry’s answer to the Oscars®. Sponsored by AECOM and Garner Holt Productions and produced by Patrick Roberge Productions, this black tie affair was created by the TEA to bring recognition to achievement, talent and personal excellence within the themed entertainment industry, and it ,will honor the recipients listed above in lavish fashion. Last year’s gala welcomed Bonnie Hunt and Tow Mater from Cars, Optimus Prime from Transformers, and the dementors from Harry Potter, so we can’t wait to see who will grace the stage this year!
We wanted a sneak peek of all that this year’s Summit and Theas have to offer, so we posed a few questions to the ladies of the TEA responsible for all of the magic: Summit Co-Chairs Roberta Perry and Pat MacKay, and TEA Director of Development/Event Producer Kathy Oliver.
JRA: Roberta and Pat - You are back as Co-Chairs! What have you learned from last year and what made you decide to co-chair again this year?
RP: Well in fact we both have a great deal of fun working together to come up with speakers and subjects that we think will make a difference in the way the TEA members think about the business, their business opportunities, and the future of the industry.
TEA Summit Co-Chairs, Pat MacKay (left) and Roberta Perry
JRA: What is your process for putting Summit Day One and Day Two together - how do you pick the speakers and sessions?
PM: We work together as a team, but I have primary responsibility for Day One, and Roberta has primary responsibility for Day Two. Day One is an Executive Master Class that is for the top execs in our member companies. That means it's a day where peers are talking with peers about business and industry challenges and solutions. Every year the "hot topics" are different. Roberta and I always have our ears to the ground and have a sixth sense about what the industry is talking about and interested in. Then we look around for experts in our industry as well as outside experts who are best suited to bring a fresh point of view to the Day One attendees.
RP: Day Two brings the case studies from the Thea Award recipients. I am always impressed with how much thought goes into these presentations. Each project's challenges and solutions present a raft of takeaways that every company and client in the industry can learn from.
JRA: Speaking of hot topics, what do you consider to be the "hot topics" this year in themed entertainment, and how are you addressing them in Day One and Day Two? Any sessions from either day that you are particularly excited about?
PM: Of course all the presentations are "hot topics". But I'm intrigued by how Jill Bensley and NormaLynn Culter's Baby Boomer presentation is going to tie in so closely with John Robinett and the AECOM’s presentation on the "Life and Times of Global Attractions." And the global trends that AECOM and new markets will present lead right into the full afternoon of presentations from the Department of Commerce, International Trade Administration, the Export-Import Bank, and the SBDC's International Trade Development program. There are amazing services available to our industry to assist US companies working abroad as well as helping non-US companies work within the US. We think that these are really well kept secrets that have astonishing impact on the way we all do business and grow our businesses.
RP: Something new we're working on this year is to begin discussion among ourselves on the ongoing, never-get-solved problems we all face in this business. Whatever those elephants in the room might be, we hope we can begin talking about how to solve those.
TEA Director of Development/Event Producer, Kathy Oliver
JRA: Kathy, anything you can divulge about the Thea Awards? How are you involving the NextGen attendees in to the production process?
KO: Well, I can’t give away too much – you’ll just have to be there! I can tell you that the Thea Awards are being produced and directed for the 2nd year by TEA member and show creator extraordinaire Patrick Roberge of Patrick Roberge Productions in Vancouver. We are again asking our spirited NextGen members to provide vital event production support in roles such as stage manager, host, technical director, assistant to the producer and assistant to the co-chairs. Some of the team members assigned to our production crew have worked with us at previous TEA gatherings, while others are new to TEA. This volunteer opportunity helps our 21 NextGen volunteers “earn” their scholarships (generously provided by Walt Disney Imagineering), and receive valuable hands-on learning experience and professional training.
JRA: What would you like attendees to walk away with at the end of the Summit?
PM: I always hope that our Day One executives will come away with ideas, suggestions and approaches that will energize them to think differently about how we all do business.
RP: I would hope that our Day Two attendees will come away not only with a profound respect for the Thea recipients, but also some new approaches for dealing with the challenges they themselves face, as well as a renewed appreciation of the breadth and depth of talent in our Association and our industry.
Stay tuned to @JRATweets (as well as @TEA_Connect) and JRA’s Facebook page for up-to-the-minute coverage of the TEA Summit (#TEASummit) and Thea Awards Gala (#TEAtheas), and check back here April 9 for our favorite moments from the weekend.
March 13, 2014
Recovering from a broken ankle, Keith James zooms through the conference center grounds. We are now happy to report that he is walking around the office!
Through his IAAPA Leadership Conference presentation, “Defining Your Story”, our CEO Keith James has explained
In this concluding segment, Keith offers advice on to employ more abstract storylines, examples of how several storytelling types can be interwoven, and guidance on how to create a unique story for your facility.
Sometimes the most interesting attractions are those that are based upon the most abstract storylines.
Cirque du Soleil is a perfect example, in that the show is amazing, but you’d be hard pressed to explain what it was about. This is because it’s usually based upon an abstract statement. For example, from the show program: "Mystère is a voyage to the very heart of life--where past, present, and future merge, and all our emotions converge."
The equally evocative Blue Man Group shows are based upon a storyline of “life, technology and the failure to communicate” (at least, I think).
The beautiful Ashes and Snow exhibit is based upon the man’s relationship with nature, and a fictional account of a man who, over the course of a yearlong journey, composes 365 letters to his wife.
But as is many cases, the storyline is only the foundation upon which an engaging experience is based and organized. The guest may never understand it, or notice it, but it’s nonetheless a critical part of the experience itself.
Other experiences are based upon a broader view of fact, by looking at entire genres and subjects,
Whether it’s a general topic such as animation,
Which is the theme for Disney’s Art of Animation Resort
Or football, again entire experiences can be built about exploring the stories of a genre.
More and more, entire theme parks, museums and attractions are being developed to tell the story of a brand, whether it’s Ferrari World in Abu Dhabi
Which features the world’s fastest rollercoaster
Or LEGO in Denmark and around the world
Guests around the world are willing to pay a lot of money to become immersed within the story of a brand.
As stated at the beginning of my talk today, while this was a quick look at a variety of story types, most story-based attractions are actually based upon a mix of many of these examples, and I’ll provide one more example to illustrate this.
Disney’s Animal Kingdom is based upon a number of story approaches. First, it’s partly a zoo, meaning that it tells fact-based stories.
It also re-creates famous regions and places around the world, so it tells a Place-based story.
Within those regions, a variety of cultures are described.
These areas also feature rides,
Which are typically based upon pure Fantasy.
So, in one park, you have at least four story-types being used.
So, as you look to develop or enhance your attraction’s story, how do you find the right one? Well, the answer to that question is really the end result of a lot of thought and development. So that’s not something that I can answer for you in a simple slide.
However, I can list the questions that you should ask yourself as you begin this journey.
When you answer these questions, then you will answer the most important question of all – what’s your story?
And speaking of story-based experiences, next week on the blog, we're offering you a sneak peek at one of the year's biggest industry events!